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Archived from the original on 18 January Retrieved 31 January Aerial Visuals. Retrieved 25 January Flying Legends.
Civil Aviation Authority. Warbirds News. Federal Aviation Administration. Department of Transportation. Canada Aviation and Space Museum.
Canada Science and Technology Museums Corporation. Air Zoo. Retrieved 24 April The Museum Of Flight. Erickson Aircraft Collection.
Retrieved 8 March Cavanaugh Flight Museum. Craig, "The Messerschmitt Bf. A microphone with higher sensitivity typically has less headroom between the output level under typical conditions, such as conversational speech, and the maximum output level.
In near-field close-talking applications, a microphone with higher sensitivity is more likely to cause distortion.
This distortion often reduces the overall dynamic range of the microphone. Directionality describes the pattern in which the microphone's sensitivity changes when the sound source changes position in space.
All Analog Devices MEMS microphones are omnidirectional or omni , which means that they are equally sensitive to sound coming from all directions, regardless of the orientation of the microphone.
Figure 1 shows a 2-axis polar plot of the micro-phone's response. This plot looks the same regardless of whether the microphone's port is oriented in the x-y, x-z, or y-z plane.
The directional response of a system may not be omnidirectional when an omni microphone is designed into a larger enclosure, such as a cell phone.
For the system designer, an omnidirectional microphone provides greater flexibility in the design of the system response to an acoustic input than if the microphone itself has a directional response.
Multiple omnidirectional microphones can be arranged in arrays to create various directivity patterns and for beamforming applications.
The signal-to-noise ratio SNR specifies the ratio of a reference signal to the noise level of the microphone output.
SNR is calculated by measuring the noise output of the micro-phone in a quiet, anechoic environment. This specification is typically presented over a 20 kHz bandwidth as an A-weighted value dBA , which means that it includes a correction factor that corresponds to the human ear's sensitivity to sound at different frequencies.
When comparing SNR measurements of different microphones, it is important to make sure that the specifications are presented using the same weighting and bandwidth; a reduced bandwidth measurement makes the SNR specification better than it is with a full 20 kHz bandwidth measurement.
The dynamic range of a microphone is a measure of the difference between the loudest and quietest SPLs to which the microphone responds linearly.
The SNR of the microphone measures the difference between the noise floor and a 94 dB SPL reference, but the microphone still has a great deal of useful signal response above this reference level.
Figure 2 shows the relationship between an acoustic input measured in dB SPL and a microphone's voltage output in dBV.
The dynamic range and SNR measurements are shown between these two scales for reference. This is a function of the definition of sensitivity being measured at 94 dB SPL and is not a design parameter that is adjustable by changing the gain of the microphone ASIC.
Equivalent input noise EIN is the output noise level of the microphone, expressed in SPL, as a theoretical external noise source placed at the microphone's input.
Input SPLs below the EIN level are under the noise floor of the microphone and outside the dynamic range of signals for which the microphone produces an output.
Figure 2 and Figure 3 show the EIN of the microphones. The frequency response of a microphone describes its output level across the frequency spectrum.
The high and low frequency limits are described as the points at which the microphone response is 3 dB below the reference output level at 1 kHz.
The reference level at 1 kHz is customarily normalized to 0 dB. The frequency response specification also includes the deviation limits from a flat response within the pass band.
These values, expressed as units of pm dB , show the maximum deviation of the output signal from a nominal 0 dB level between the -3 dB points.
The data sheets for MEMS microphones show this frequency response in two figures: one figure shows the frequency response mask, and the other figure shows the typical measured frequency response.
The frequency response mask figure shows the upper and lower limits of the microphone output across frequency; the microphone output is guaranteed to be within this mask.
The typical frequency response figure shows an actual microphone's response across the frequency band. A microphone with a wide, flat frequency response helps in the design of systems that require natural sound and high intelligibility.
Total harmonic distortion THD is a measurement of the level of distortion on the output signal for a given pure tone input signal. This measurement is presented as a percentage.
This percentage is the ratio of the sum of the powers of all harmonic frequencies above the fundamental frequency to the power of the tone at the fundamental frequency.
A higher THD measurement indicates a higher level of harmonics present at the output of the microphone. THD is measured at a higher SPL than other specifications because, as the level of the acoustic input signal increases, the THD measurement typically increases as well.
A rule of thumb is that the THD triples with every 10 dB increase in input level.